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Introduction [V]
Preface [c]
Dichotomies [c]
Preface [p]
2fgrouptable
2ftable
Philosophical Dichotomies [p]
2ffemmas
yyscale
2fartcos
2fdef
2ftable
2fscience
2fyya
2fyya
2fyym
2ftable1
2ftable2
Music Dichotomies [p]
2fmuzper
2fsym
2fdimensions
Melody and Development [p]
2fmonpoly
2fparpos
Harmony Dichotomies [p]
2forigins
2fswingcir
Rhythmic Containers [p]
Cultural Habits [p]
Intuition and Knowledge [p]
2fintuition
2fknowledge
2fpraise
Welcome [P]
History [p]
comparison
originaltruth
ledastray
wayback
scientificgeneration
illusion
backtogalileo
Acoustical Illusions [p]
Science of Music [p]
definitions
sound-music
musicgenerates
sciencemethodology
solidmodel
sciencetracks
Dimensions [p]
Quantification [c]
Rhythm [p]
closing
rhythmtools
quaternary
4/4bar
2cells
4cells
Harmony [p]
progressions
basic
dominants
inward
outward
buckle
transform
incompleteness
chromaticism
nonchordaltones
modes
modeclosing
progressionsmodes
fundamental
flatteningmodes
sharpeningmodes
counter
weakmodes
emam
amdm
dmg
dispositions
Melody [p]
melorhythm
meloharm
melolines
Reference [c]
News [p]
Comments and Questions [c]
Introduction [c]
Reactions [p]
Thanks ! etc... [p]
Acoustical Illusions [p]
Mysteries [p]
Video Clips [p]
MathNovatory [p]
Where to begin ? [p]
New terminology [p]
Emotion in Music [p]
Definition of Music [p]
Dichotomies [p]
Volume and Timbre [p]
Rhythm [c]
The Unknown Container [p]
Grouping and Subdivision [p]
Footsie Animations [p]
Level 0 Test [p]
Little Drummer Boy [p]
Sound of Silence [p]
Level 0 of Two Songs [p]
Time Signatures [p]
Alternate Interpretations [p]
Ternary and Irregular Rhythmic Structure [p]
Bridge Level [p]
Harmony [c]
Preface [c]
Chrominicism [p]
Chords and Scales [p]
Just Intonation [p]
Overtones [p]
Basics [c]
Chords [p]
4-Note-Chords [p]
Modes [p]
Transformations [c]
Bells [p]
Tendency [p]
Beethoven - parallel 5ths [p]
Sonorities [c]
Melody [c]
Where is Melody ? [p]
Twinkle Bridge [p]
Applications [c]
Analysis [p]
Pedagogy [p]
Modulations [p]
Alphabetical [p]
Chronological [p]
The Use of Color [p]
Definitions [c]
A [p]
a
alternation
amphibrach
anapest
B [p]
b
beat
C [p]
chordalfunction
chordsymbols
chromaticism
chrominicism
composing
composingmusic
D [p]
dactyl
division
E [p]
entities
F [p]
femininerhyme
fifthsseriesof
fission
functionaltuning
fusion
G [p]
H [p]
harmonicstaff
I [p]
iamb
Incompleteness
interval
intonation
J [p]
K [p]
key
kinetic
L [p]
level0def
longbranchtuning
M [p]
masculinerhyme
melorhythmcode
melorhythmicbox
mimima
modes
modulations
multiplication
music
muzikeco
mysteries
N [p]
naturalharmonics
notevalues
nucleus
O [p]
offbeat
opening
P [p]
pasting
phrasing
pickup
pickupassociation
pickupgrouping
procuration
Q [p]
R [p]
rebound
reboundassociation
reboundgrouping
rhymes
rhythmiccell
rhythmiclevels
S [p]
s
satb
scale
scansion
shadows
shortbranchtuning
sonorities
splitcell
static
symmetry
syncopation
T [p]
t
tail
tenantchords
tetrad
tonalfunction
triad
trochee
trunktuning
U [p]
V [p]
vocentro
W [p]
worlds
X [p]
Y [p]
Z [p]
Contributions [p]
Rhythm [V]
Structure of Time [C]
Unknown Container [c]
1960 [P]
1978 [P]
1995 [p]
05
05a
Alternation [p]
association
rebound
pick-up
bar-lines
Rcode [p]
twinkle-rcode1
twinkle-rcode2
twinkle-rcode
polly-rcode
redriver-rcode
birthday-rcode
never-rcode
Basic Materials [c]
Footsies [c]
Preface [P]
beatoffbeat
Beat/Off-beat
Pick-up
Twinkle [p]
1a
1b
1c
1d
Polly [p]
2a
2b
2c
2d
2e
Red River [p]
3a
3b
3c
3d
3e
More Elaborate [p]
changing
feet2
hands2
hands3
Graphics [c]
Preface [P]
cell
Twinkle [p]
Polly [p]
Red River [p]
Transformations [c]
Footsies [c]
Preface [P]
3
3/4
6/8
7/8
5
5/8
8
8/16
fibonacci
Rock [p]
Where [p]
Birthday [p]
level0
Valley [p]
level-2-1
level0
Graphics [c]
Preface [p]
quaternary
quatrebound
quatpickup
ternarygraphics
terngroup
5/8
8/16
Rock [p]
Where [p]
Birthday [p]
Valley [p]
Meters [c]
Changing Meters [p]
twinkle
polly
redriver
redriver68
rock
where
birthday
valley
5/8
At Level 0 [p]
twinklelimp1
Large Level Bars [p]
twinkle
birthday
bachfugue
Level 0 Change [p]
ltos
joy
tabac
asbridge
Harmony [V]
Structure of Pitch [c]
Chrominicism [c]
The Staircase [P]
gradual
consequences
proof2
semitones
hearing
The Scale [p]
Parking Lot [p]
Generating Basic Materials [p]
harmonymelody
chordsscales
generation
diatonictriads
diatonicscales
complete
circle
Just Intonation [c]
Preface [P]
Diagrams [p]
1
ratio
2
2a1
2a2
2b
+7
Tables [p]
Functional Tuning [x]
Progressive Pitch [x]
Performance [p]
maxplanck
Natural Harmonics [p]
Harmonics Table [x]
4 Forms of Harmony [c]
Free Harmony [p]
metamorphoses
Diatonic Harmony [p]
Rhythmic Harmony [p]
Melodic Harmony [p]
Price of Diatonicism [p]
window
directions
modetable
shape/sound
diatonicism
tonality
bucklechord
neapolitan6th
Chord Symbols [p]
Jordan Triangles [p]
jt01
diamonds
motrixdiagonals
Pete's Paradox [p]
origin
nochange
wrongchange
rightchange
examples
realtest
paraphrase
Basic Materials [c]
Individual Chords [p]
tetrads
construction
chord-parts
Disposition of Chords [p]
window
triad-disposition
triad-mode
tonic-chord
Four Strong Modes [c]
Preface [c]
Presentation [P]
Generation [p]
4modesgen
+-
modetable
Disposition [p]
dispositionmodes
dispositionparameters
transformation
conclusions
Alternative Disposition [p]
differentdisposition
accords
Leading Tones [p]
differentdisposition
Chromatic Minor Revisited [p]
quanrevisit
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