014psce

Metamorphoses = ((4-0-1 / 4-0-1 ))
Chord Symbols = ((C⁶Am⁷ - Dm⁶ - Am^-6 / Em⁷G⁶ - Dm⁷ - G⁷)) C, see Metamorphoses.
         We have here another wide Swing, between C⁶ and Em⁷.
Voice-leading = A-C-A throughout, except for the last bar-line.
Performance Disposition = Primary Disposition into and in Bar 1,
         Secondary Disposition into and in Bar 2,
                   the entire Swing in a high range.
         Complete Harmony when the last chord is not used,
         Cadential Ending when the last chord is used.
Orbit Lines -
         in the Soprano Voice - ((03-2-3 / 21-0-01)) 1,
         in the Alto Voice - ((30-3-2 / 12-1-10)) 0,
         in the Tenor Voice - ((21-0-01 / 03-2-3)) 2,
         in the Bass Voice - ((12-1-10 / 30-3-2)) 1.
The 4 Performance Voices are divided into 2 groups -
         the Soprano and Tenor Voices in one group, the Alto and Bass Voices in the other,
                   each group in orbital and melodic canon (contrary motion) at a 3-chord (1-bar) interval.

014spce

The same Metamorphoses, Chord Symbols, Voice-leading, Orbit Lines,
         Complete Harmony/Cadential Ending, and canons.
Performance Disposition = Secondary Disposition into and in Bar 1,
         Primary Disposition into and in Bar 2,
                   the entire Swing in a comfortable medium range.

041psce

Metamorphoses = ((0-4-1 / 0-4-1 ))
Chord Symbols = ((C⁶ - G⁷Bm^-6-5 - F⁶ / C⁺⁷ - F⁶Dm⁷ - G⁷)) C, see Metamorphoses.
         We have here a narrower Swing, between G⁷ and F⁶.
Voice-leading = A-C-A throughout, except for the last bar-line.
Performance Disposition = Primary Disposition into and in Bar 1,
         Secondary Disposition into and in Bar 2,
                   the entire Swing in a high range.
         Complete Harmony when the last chord is not used,
         Cadential Ending when the last chord is used.
Orbit Lines -
         in the Soprano Voice - ((0-30-01 / 0-30-01)) 1,
         in the Alto Voice - ((3-21-10 / 3-21-10)) 0,
         in the Tenor Voice - ((2-12-3 / 2-12-3)) 2,
         in the Bass Voice - ((1-03-2 / 1-03-2)) 1.
The 4 Performance Voices act individually,
         each in orbital and melodic canon (contrary motion) with itself at a 3-chord (1-bar) interval.

041spce

The same Metamorphoses, Chord Symbols, Voice-leading, Orbit Lines, Complete Harmony/Cadential Ending, and canons.
Performance Disposition = Secondary Disposition into and in Bar 1,
         Primary Disposition into and in Bar 2,
                   the entire Swing in a comfortable medium range.

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