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This Chapter is the result from
an interesting CQ letter that
rightly noted that,
at the time, MusicNovatory
had no references to the word
"Modulation".
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The Preface introduces
the role of the Circle
in both Interior and
Exterior Modulations.
1, 2, and 3, as well as 456,
deal with Interior Modulations,
while M-M, M-m, m-M, and m-m,
deal with Exterior Modulations,
between Major and/or minor Keys.
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For maximum clarity and precision, chords will be indicated with three systems,
with the absolute system of Chord Symbols, as used in popular music, indicated in (),
Ex - (Bm7-5 E7 Am Dm7-5 G7 C).
with the relative system of Roman Numerals, as used in academic institutions, indicated in [ ]
combined with the suffixes of the Chord Symbols,
Ex - [VIIm7-5 III7 VIm IIm7-5 V7 I].
with the relative scientific system of MusicNovatory, indicated in UPPER CASE
Ex - BUCKLE, ANTE 3, ANTE 2, ANTE 1, DOMINANT, TONIC,
and elaborated in the ModuCode
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