01psce
Metamorphoses= ((1 - 0 - 1 - 0))
Chord Symbols= ((C+7 - F6 - C6 - G7)) C, see Metamorphoses.
We have here a wide Swing, from the COUNTER, F6, to the DOMINANT, G7,
around the major TONIC, C+7 and C6,
which could just as well be around the minor TONIC, Am-6 and Am7.
Voice-leading= A - C - A - C,
Voice-leading A between 2 chords of opposite direction, when the second chord has a Metamorphosis 0,
Voice-leading C between 2 chords of the same direction, when the second chord has a Metamorphosis 1.
Performance Disposition= Primary Disposition between chords 1 and 2,
Secondary Disposition between chords 3 and 4
the entire canon in a medium (low) range, with
Complete Harmony when the first chord is used but not the last, with Chord PatternM73
Cadential Ending when the last chord is used but not the first, with Chord Pattern M64.
OrbitLines -
in the Soprano Voice - ((3-2-3-2)) 1,
in the Alto Voice - ((2-1-10-3)) 2,
in the Tenor Voice - ((01-0-01-0)) 0,
in the Bass Voice - ((10-3-2-1)) 1,
The Bass and Alto Voices are in contrary motion canon with each other,
but the Soprano and Tenor Voices stand apart, each in contrary motion canon with itself,
all canons at a 2-chord interval.
01spce
The same Metamorphoses, ((1 - 0 - 1 - 0)), Chord Symbols, ((C+7 - F6 - C6 - G7)) C,
Voice-leading, A - C - A - C, and Orbit Lines,
with Soprano-Bass inversion and Alto-Tenor inversion.
Performance Disposition = Secondary Disposition between chords 1 and 2,
Primary Disposition between chords 3 and 4,
the entire canon in a high range,
retaining the same possibilities of Complete Harmony, with M73, and Cadential Ending, with M64.
The Soprano and Tenor Voices are now in canon with each other,
and the Bass and Alto Voices stand apart.
011ppce
Metamorphoses = ((0 - 1 -1 / 0 - 1 - 1 / 0 - 1 -1 / 0 - 1 - 1))
Chord Symbols = ((C6 - G6 - Dm6 / Am7 - Dm7 - G7 / C6 - G6 - Dm6 / Am7 - Dm7 - G7)) C,
see Metamorphoses
We have here an even wider Swing, all the way from the major TONIC C6 to the minor TONIC Am7.
Voice-leading = ((C - C - A - C - C - A - C - C - A - C - C - A)).
Performance Disposition = Primary Disposition between chords 3 and 4, 6 and 7, 9 and 10, 12 and 13,
the entire canon in a high range, with
Complete Harmony when the first chord is used but not the last,
Cadential Ending when the last chord is used but not the first.
Orbit Lines -
in the Soprano Voice - ((0-01-10 / 3-2-3 / 2-3-2 / 1-10-01)) 1,
in the Alto Voice - ((3-2-3 / 2-3-2 / 1-10-01 / 0-01-10)) 0,
in the Tenor Voice - ((2-3-2 / 1-10-01 / 0-01-10 / 3-2-3)) 2,
in the Bass Voice - ((1-10-01 / 0-01-10 / 3-2-3 / 2-3-2)) 1,
The 4 Performance Voices (B-T-A-S) participate in the same canon, at a 3-chord (1-bar) interval -
The Soprano and Tenor Voices in one direction, at a 6-chord (2-bar) interval, and
the Alto and Bass Voices in the opposite direction, also at a 6-chord (2-bar) interval,
imposing a repeat of the complete 6-chord sequence.
011ssce
The same Metamorphoses, Chord Symbols, Voice-leading, and Orbit Lines.
Performance Disposition = Secondary Disposition between chords 3 and 4, 6 and 7, 9 and 10, 12 and 13,
the entire canon in a medium (low) range,
retaining the same possibilities of Complete Harmony and Cadential Ending.
The 4 Performance Voices (S-A-T-B) participate in the same canon, at a 3-chord (1-bar) interval -
The Soprano and Tenor Voices in one direction, at a 6-chord (2-bar) interval, and
the Alto and Bass Voices in the opposite direction, also at a 6-chord (2-bar) interval.
001pse
Metamorphoses = 1 - 0 - 0 in each bar.
Chord Symbols = C+7 - F6 - C+7 / F+7 - Bm-6-5 - F+7 / Bm7-5 - Em-6 - Bm7-5 / Em7 - Am-6 - Em7 /
Am7 - Dm6 - Am7 / Dm7 - G6 - Dm7 / G7 - C6 - G7 / C, see Metamorphoses.
We have here a Circle produced by the Metamorphosis 1 at the beginning of each bar,
the 2 following Metamorphoses 0 embroidering each chord of this circle with a small swing.
Voice-leading = A - A - C in each bar and across the Bar-line.
Performance Disposition = Primary Disposition in the odd-numbered bars, and
Secondary Disposition in the even-numbered bars.
the entire canon in a low range, with a Cadential Ending.
Orbit Lines -
in the Soprano Voice - 3-2-1 / 10-3-2 / 3-2-1 / 10-3-2 / 3-2-1 / 10-3-2 / 3-2-1 / 1,
in the Alto Voice - 2-1-0 / 01-0-3 / 2-1-0 / 01-0-3 / 2-1-0 / 01-0-3 / 2-1-0 / 0,
in the Tenor Voice - 01-0-3 / 2-1-0 / 01-0-3 / 2-1-0 / 01-0-3 / 2-1-0 / 01-0-3 / 2,
in the Bass Voice - 10-3-2 / 3-2-1 / 10-3-2 / 3-2-1 / 10-3-2 / 3-2-1 / 10-3-2 / 1.
The Soprano and Bass Voices are in canon with each other at a 3-chord (1-bar) interval, and
the Alto and Tenor Voices are also in canon with each other at a 3-chord (1-bar) interval.
001spe
The same Metamorphoses, Chord Symbols, Voice-leading, and Orbit Lines.
Performance Disposition = Secondary Disposition in the odd-numbered bars, and
Primary Disposition in the even-numbered bars,
the entire canon in a higher, medium range, with a Cadential Ending.
The Soprano and Bass Voices are still in canon with each other, and so are the Alto and Tenor Voices.
0011ppe
Metamorphoses = 1 - 0 - 0 / 1 throughout
Chord Symbols = C+7 - F6 - C+7 / F+7 - Bm7-5 - Em-6 - Bm7-5 /
Em7 - Am7 - Dm6 - Am7 / Dm7 - G7 - C6 - G7 / C,
see Metamorphoses
We have here a Circle produced by the 2 Metamorphoses 1 at the beginning of each complete bar,
which make the circle move 2 steps at a time
before being interrupted by the small swing of the 2 Metamorphoses 0 at the end of the bar.
Voice-leading = C - A - A - C in each complete bar and across the Bar-line
Performance Disposition = Primary Disposition throughout,
the entire canon in a low range, with a Cadential Ending.
Orbit Lines -
in the Soprano Voice - 01-0-3 / 2-3-2-1 / 10-01-0-3 / 2-3-2-1 / 1,
in the Alto Voice - 10-3-2 / 3-2-1-0 / 01-10-3-2 / 3-2-1-0 / 0,
in the Tenor Voice - 3-2-1 / 10-01-0-3 / 2-3-2-1 / 10-01-0-3 / 2,
in the Bass Voice - 2-1-0 / 01-10-3-2 / 3-2-1-0 / 01-10-3-2 / 1,
The Soprano and Tenor Voices are in canon with each other at a 4-chord (1-bar) interval, and
the Alto and Bass Voices are also in canon with each other at a 4-chord (1-bar) interval.
0011sse
The same Metamorphoses, Chord Symbols, Voice-leading, and Orbit Lines
Performance Disposition = Secondary Disposition throughout,
the entire canon in a higher, medium range, with a Cadential Ending.
The Soprano and Tenor Voices are still in canon with each other, and so are the Alto and Bass Voices.
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