Creation of Musical Life

This seems to be what happens inNatural Canons
     which are presented almost apologetically in the harmonic transformation ofVoice-leading,
          so as not to frighten or overwhelm the apprentice visitor.
Here is a case where the scientific MNcomponentsof every chord,
               theCOMMON TONE, thePROPER TONE, theMEDIAN, and theMOTRIX,
     placed in order of decreasing tension, calledOrbits-
                Orbit 3,Orbit 2,Orbit 1, andOrbit 0,
          produce an "Orbit chain"3-2-1-0(in this case0-3-2-1)
               which in turn produces a melodic Orbit Line,
                    which in turn produces a 4-part canon when the first chord is completed.
All this without the least human, creative, intuitive interference !

What makes the systematic production of these Natural Canons possible ?
     Above all, the precise and valid identification of Chord Components -
          1. the presence of 4 notes, not 3,
          2. the classification of Primary and Secondary notes -
               the Primary Notes,COMMON TONEandPROPER TONE, being constant,
                    always a perfect fifth apart, members of the series of fifths,
               the Secondary Notes being variable -
                    theMEDIAN(third) determining the mode of the chord,majororminor,
                    theMOTRIX(sixth or seventh) determining the direction of the chord, sharpening or flattening.
     This identification imposes the degree of tension of each Chord Component (note), the Orbits,
          and the Orbit Chains which automatically produce the natural Canons.

The Nature of Composition
The art of composition is divided into two disctinct activities -
     1. the creation of new, personal material,
          which applies above all to melody and which copyright protects exclusively, and
     2. the techniques of development,
          which are used extensively in classical music, and even in all the Bridges of popular music.

Natural Canons are the infrastructure of Development
The term "sequence" is currently used in academic theory to describe these Natural Canons,
     more specifically the term "harmonic sequence",
          although the skeletons of the melodic sequences are also present in their Voice-Leading.
MN leaves nothing to chance in these sequences and the options available seem to be infinite,
     with all the combinations ofMetamorphosesandVoice-Leading,
          plus the possibilities ofinversions.