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Sequence of 2 Metamorphoses
The only possibility is 01 (10 being the same sequence starting on 1 rather than on
0).
The 01 sequence
If we start on the usual C6TONIC chord, (which remains the same with 0),
the next would be G7which changes (with 1) to G6,
then Dm7, (which remains the same with 0),
then G6which changes (with 1) to G7,
and back to the original C6, producing a 4-chord sequence,
composed ofC6
-G6/Dm7
-G7, which repeats indefinitely, below-left,
what we could call an enlarged, "wider" swing fromC6
toDm7
.
. . .
This swing would evidently be more natural and more useful in thenucleus of the major mode,
a fifth lower, with the chord sequenceF6
-C6-G7
-C+7(COUNTER-TONIC-DOMINANT-TONIC).
However, it might be simpler to merely inverse the Metamorphosis sequence
(10 rather than 01) -
Starting on the usual C6TONIC chord, which changes (with 1) to C+7,
the next would be F6, (which remains the same with 0),
then C+7, which changes (with 1) to C6,
then G7(which remains the same with 0),
and back to the original C6, producing a 4-chord sequence,
composed of C+7--F6
/ C6-G7
, which repeats indefinitely, above-right (seeVoice-leading).
All this is evidently transposable to any key, in any othermode.
Sequence of 3 Metamorphoses
There are 2 possibilities here - 011 and 001
(all other combinations being the result of starting elsewhere)
The 011 sequence
If we start on the usual C6TONIC chord, (which remains the same with 0),
the next would be G7which changes (with 1) to G6,
then Dm7which changes (with 1) to Dm6,
then Am7, (which remains the same with 0),
then Dm6which changes (with 1) to Dm7,
then G6which changes (with 1) to G7,
and back to the original C6, producing a 6-chord sequence,
composed ofC6
-G6-Dm6/Am7
-Dm7-G7, which repeats indefinitely,
an even "wider" swing than with the 01 sequence, fromC6
toAm7
.
This swing very conveniently travels from the Diatonic Major Mode TONIC (C)
to theDiatonic Minor ModeTONIC (Am) and back,
with ANTE-2-ANTE-1-DOMINANT / TONIC in each mode,
evidently transposable to any key.
To see theVoice-leading
The 100 sequence
If we start on the Em7ANTE-3 chord, which has been changed (with 1) from Em-6,
the next would be Am-6, (which remains the same with 0),
then back to Em7, (which remains the same with 0),
then again back to Am-6which changes (with 1) to Am7,
then Dm6, (which remains the same with 0),
then Am7, (which remains the same with 0),
then Dm6which changes (with 1) to Dm7,
then G6, (which remains the same with 0),
then Dm7, (which remains the same with 0),
then G6which changes (with 1) to G7,
then C6, (which remains the same with 0),
then G7, (which remains the same with 0),
then C, chord of rest, producing a 13-chord sequence,
composed ofEm7
-Am-6-Em7/Am7
-Dm6-Am7/Dm7
-G6-Dm7/G7
-C6-G7/C,
which completes the half-circle from Em7to C, ornamented by "mini-swings" along the way.
It would evidently have been quite simple to start on C6andgo right around the complete circlewith 100.
All this is possible in any other key.
Sequence of 4 Metamorphoses
There are 3 possibilities here - 0111, 0001, and 0011
(all other combinations being the result of starting elsewhere).
The 0111 sequence
If we start on the usual C6TONIC chord, (which remains the same with 0),
the next would be G7which changes (with 1) to G6,
then Dm7which changes (with 1) to Dm6,
then Am7which changes (with 1) to Am-6,
then Em7, (which remains the same with 0),
then Am-6which changes (with 1) to Am7,
then Dm6which changes (with 1) to Dm7,
then G6which changes (with 1) to G7,
and back to the original C6(which remains the same with 0), producing a 8-chord sequence,
composed ofC6
-G6-Dm6-Am-6/Em7
-Am7-Dm7-G7, which repeats indefinitely,
an even "wider" swing than with the 011 sequence.
This swing travels from the Diatonic Major Mode TONIC (C)
to theDiatonic Minor ModeCOUNTER (Em) and back,
evidently transposable to any key.
The 0001 sequence
If we start on the usual C6TONIC chord, (which remains the same with 0),
the next would be G7(which remains the same with 0),
then C6(which remains the same with 0),
then G7which changes (with 1) to G6,
then Dm7, (which remains the same with 0),
then G6, (which remains the same with 0),
then Dm7, (which remains the same with 0),
then G6which changes (with 1) to G7,
and back to the original C6(which remains the same with 0), producing an 8-chord sequence,
composed ofC6
-G7-C6-G6/Dm7
-G6-Dm7-G7, which repeats indefinitely.
We have here another version of our 01 swing, because the first two 0s cancel
each other,
producing smaller "mini-swings" along the way (as in the 100 circle).
This swing would evidently be more natural and more useful in the nucleus of the major
mode,
with the chord sequenceF6
-C+7-F6-C6/G7
-C6-G7-C+7, a fifth lower.
However, it might be simpler to merely inverse the Metamorphosis sequence
(1000 rather than 0001).
like other examples, transposable to any key, in any othermode.
The 1100 sequence
If we start on the usual C6TONIC chord, which changes (with 1) to C+7,
the next would be F6which changes (with 1) to F+7,
then Bm-6-5, (which remains the same with 0),
then back to F+7, (which remains the same with 0),
then back again to Bm-6-5which changes (with 1) to Bm7-5,
then Em-6which changes (with 1) to Em7,
then Am-6, (which remains the same with 0),
then Em7, (which remains the same with 0),
then Am-6which changes (with 1) to Am7,
then Dm6which changes (with 1) to Dm7,
then G6, (which remains the same with 0),
then Dm7, (which remains the same with 0),
then G6which changes (with 1) to G7,
then C6which changes (with 1) to C+7,
then F6, (which remains the same with 0),
then C, chord of rest, producing a 16-chord sequence,
composed ofC+7-F+7
-Bm-6-5-F+7-Bm7-5-Em7
-Am-6-Em7-Am7-Dm7
-G6-Dm7-G7-C+7
-F6-C,
which completes the full circle, ornamented by "mini-swings" along
the way.
To see theVoice-leading
Sequence of 5 Metamorphoses
There are 6 possibilities here - 01111, 00011,01010, 10000, 11100, and 01011
(all other combinations being the result of starting elsewhere)
The 01111 sequence
The 00011 sequence
The 01010 sequence
The 10000 sequence
The 11100 sequence
The 01011 sequence
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