01psce

Metamorphoses= ((1 - 0 - 1 - 0))
Chord Symbols= ((C⁺⁷- F⁶- C⁶- G⁷)) C, seeMetamorphoses.
     We have here a wide Swing, from the COUNTER, F⁶, to the DOMINANT, G⁷,
          around themajorTONIC, C⁺⁷and C⁶,
               which could just as well be around theminorTONIC, Am^-6and Am⁷.
Voice-leading= A - C - A - C,
     Voice-leading A between 2 chords of opposite direction, when the second chord has a Metamorphosis 0,
     Voice-leading C between 2 chords of the same direction, when the second chord has a Metamorphosis 1.
Performance Disposition=Primary Disposition between chords 1 and 2,
      Secondary Disposition between chords 3 and 4
          the entire canon in a medium (low) range, with
      Complete Harmony when the first chord is used but not the last, withChord Pattern M73
     CadentialEnding when the last chord is used but not the first, with Chord PatternM64.
OrbitLines -
     in the Soprano Voice - ((3-2-3-2))1,
     in the Alto Voice - ((2-1-10-3))2,
     in the Tenor Voice - ((01-0-01-0))0,
     in the Bass Voice - ((10-3-2-1))1,
The Bass and Alto Voices are in contrary motion canon with each other,
     but the Soprano and Tenor Voices stand apart, each in contrary motion canon with itself,
          all canons at a 2-chord interval.

01spce

The same Metamorphoses, ((1 - 0 - 1 - 0)), Chord Symbols, ((C⁺⁷- F⁶- C⁶- G⁷)) C,
          Voice-leading, A - C - A - C, and Orbit Lines,
     with Soprano-Bass inversion and Alto-Tenor inversion.
Performance Disposition =Secondary Disposition between chords 1 and 2,
      Primary Disposition between chords 3 and 4,
          the entire canon in a high range,
     retaining the same possibilities ofComplete Harmony, withM73, and CadentialEnding, withM64.
The Soprano and Tenor Voices are now in canon with each other,
     and the Bass and Alto Voices stand apart.

011ppce

Metamorphoses = ((0 - 1 -1 / 0 - 1 - 1 / 0 - 1 -1 / 0 - 1 - 1))
Chord Symbols = ((C⁶- G⁶- Dm⁶/ Am⁷- Dm⁷- G⁷/ C⁶- G⁶- Dm⁶/ Am⁷- Dm⁷- G⁷)) C,
          seeMetamorphoses
     We have here an even wider Swing, all the way from themajorTONIC C⁶to theminorTONIC Am⁷.
Voice-leading = ((C - C - A - C - C - A - C - C - A - C - C - A)).
Performance Disposition =Primary Disposition between chords 3 and 4, 6 and 7, 9 and 10, 12 and 13,
          the entire canon in a high range, with
      Complete Harmony when the first chord is used but not the last,
     CadentialEnding when the last chord is used but not the first.
Orbit Lines -
     in the Soprano Voice - ((0-01-10/3-2-3/2-3-2/1-10-01))1,
     in the Alto Voice - ((3-2-3/2-3-2/1-10-01/0-01-10))0,
     in the Tenor Voice - ((2-3-2/1-10-01/0-01-10/3-2-3))2,
     in the Bass Voice - ((1-10-01/0-01-10/3-2-3/2-3-2))1,
The 4 Performance Voices (B-T-A-S) participate in the same canon, at a 3-chord (1-bar) interval -
     The Soprano and Tenor Voices in one direction, at a 6-chord (2-bar) interval, and
     the Alto and Bass Voices in the opposite direction, also at a 6-chord (2-bar) interval,
          imposing a repeat of the complete 6-chord sequence.

011ssce

The same Metamorphoses, Chord Symbols, Voice-leading, and Orbit Lines.
Performance Disposition =Secondary Disposition between chords 3 and 4, 6 and 7, 9 and 10, 12 and 13,
          the entire canon in a medium (low) range,
     retaining the same possibilities ofComplete Harmony and CadentialEnding.
The 4 Performance Voices (S-A-T-B) participate in the same canon, at a 3-chord (1-bar) interval -
     The Soprano and Tenor Voices in one direction, at a 6-chord (2-bar) interval, and
     the Alto and Bass Voices in the opposite direction, also at a 6-chord (2-bar) interval.

001pse

Metamorphoses = 1 - 0 - 0 in each bar.
Chord Symbols = C⁺⁷- F⁶- C⁺⁷/ F⁺⁷- Bm^-6-5- F⁺⁷/ Bm^7-5- Em^-6- Bm^7-5/ Em⁷- Am^-6- Em⁷/
          Am⁷- Dm⁶- Am⁷/ Dm⁷- G⁶- Dm⁷/ G⁷- C⁶- G⁷/ C, seeMetamorphoses.
     We have here a Circle produced by the Metamorphosis 1 at the beginning of each bar,
          the 2 following Metamorphoses 0 embroidering each chord of this circle with a small swing.
Voice-leading = A - A - C in each bar and across the Bar-line.
Performance Disposition =Primary Disposition in the odd-numbered bars, and
      Secondary Disposition in the even-numbered bars.
          the entire canon in a low range, with a CadentialEnding.
Orbit Lines -
     in the Soprano Voice -3-2-1/10-3-2/3-2-1/10-3-2/3-2-1/10-3-2/3-2-1/1,
     in the Alto Voice -2-1-0/01-0-3/2-1-0/01-0-3/2-1-0/01-0-3/2-1-0/0,
     in the Tenor Voice -01-0-3/2-1-0/01-0-3/2-1-0/01-0-3/2-1-0/01-0-3/2,
     in the Bass Voice -10-3-2/3-2-1/10-3-2/3-2-1/10-3-2/3-2-1/10-3-2/1.
The Soprano and Bass Voices are in canon with each other at a 3-chord (1-bar) interval, and
     the Alto and Tenor Voices are also in canon with each other at a 3-chord (1-bar) interval.

001spe

The same Metamorphoses, Chord Symbols, Voice-leading, and Orbit Lines.
Performance Disposition =Secondary Disposition in the odd-numbered bars, and
      Primary Disposition in the even-numbered bars,
          the entire canon in a higher, medium range, with a CadentialEnding.
The Soprano and Bass Voices are still in canon with each other, and so are the Alto and Tenor Voices.

0011ppe

Metamorphoses = 1 - 0 - 0 / 1 throughout
Chord Symbols = C⁺⁷- F⁶- C⁺⁷/ F⁺⁷- Bm^7-5- Em^-6- Bm^7-5/
     Em⁷- Am⁷- Dm⁶- Am⁷/ Dm⁷- G⁷- C⁶- G⁷/ C,
          seeMetamorphoses
     We have here a Circle produced by the 2 Metamorphoses 1 at the beginning of each complete bar,
          which make the circle move 2 steps at a time
               before being interrupted by the small swing of the 2 Metamorphoses 0 at the end of the bar.
Voice-leading = C - A - A - C in each complete bar and across the Bar-line
Performance Disposition =Primary Disposition throughout,
          the entire canon in a low range, with a CadentialEnding.
Orbit Lines -
     in the Soprano Voice -01-0-3/2-3-2-1/10-01-0-3/2-3-2-1/1,
     in the Alto Voice -10-3-2/3-2-1-0/01-10-3-2/3-2-1-0/0,
     in the Tenor Voice -3-2-1/10-01-0-3/2-3-2-1/10-01-0-3/2,
     in the Bass Voice -2-1-0/01-10-3-2/3-2-1-0/01-10-3-2/1,
The Soprano and Tenor Voices are in canon with each other at a 4-chord (1-bar) interval, and
     the Alto and Bass Voices are also in canon with each other at a 4-chord (1-bar) interval.

0011sse

The same Metamorphoses, Chord Symbols, Voice-leading, and Orbit Lines
Performance Disposition =Secondary Disposition throughout,
          the entire canon in a higher, medium range, with a CadentialEnding.
The Soprano and Tenor Voices are still in canon with each other, and so are the Alto and Bass Voices.